Shakespeare and Platonic Beauty

John Vyvyan

ISBN: 9780856832949 - Paperback

Dimensions: 224pp - 214 x 136mm

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£14.95

From Reviews

‘The most vivid and easy to recall of the divine realities is beauty; and beauty, therefore, plays a special part in the re-awakening of the soul to heavenly things. Shakespeare demonstrates this when Romeo, on first seeing Juliet says: ‘For I ne’er saw true beauty till this night’.   Watkins Magazine

‘John Vyvyan’s books on the spiritual philosophy of Shakespeare aroused interest when they were first published in the early sixties … all who seek the true wisdom of Shakespeare will welcome this first republication of his trilogy for fifty years … [Vyvyan’s] scholarship and dogged research in opening the doors of the Christian-Platonic philosophy of the Renaissance and uncovering the vastness of Shakespeare’s spiritual universe pronounce him an intrepid pioneer in Shakespearean scholarship, whose work should now receive wider recognition.’   Jill Line, Temenos Academy Review

‘Original and stimulating, Mr Vyvyan’s thesis is important and serious: serious in the sense that his reading of the plays and his supporting reading into Shakespeare’s climate of ideas is deep, connected and wide.’
Times Literary Supplement

 

Description

John Vyvyan’s third Shakespearean study was originally published by Chatto & Windus in 1961, but has long been out of print. Looking at some of the comedies, he reveals how the Platonic ideas of beauty and love, as developed by Plotinus, Ficino, Castiglione and Spenser, add an extra dimension to the plays.

In A Midsummer Night’s Dream, As You Like It and All’s Well That Ends Well, the heroines bring to life the idea of love as the force that is awakened in the world by beauty which then leads the soul to perfection. Vyvyan believes that for Shakespeare love was pre-eminent over human ideas of justice, that self-discovery was a supreme human experience and that breaking faith with the ideal – as Agamemnon, Cressida and Hector all do in Troilus and Cressida – sowed the seeds of tragedy.

The author’s recognition of Shakespeare’s use of allegory enables him to make sense of certain developments in these plays which seem weak or absurd from the psychological standpoint – the ‘tidy’ marriage of Celia and Oliver in As You Like It, the ignoble behaviour of Bertram in All’s Well That Ends Well, or the constancy of Julia’s love for the fickle Proteus in The Two Gentlemen of Verona.

John Vyvyan’s work is extraordinarily perceptive, compelling us to think again about the underlying philosophy in Shakespeare’s plays, and to see their action from a fresh point of view. It is not often that one finds combined in one critical book so much learning, insight and modesty.

‘If a clearly conceived philosophy is implicit [in Shakespeare’s work]’, Vyvyan writes, ‘then it is by parable and allegory that it is expressed; and the recognition of this ‘I think’ immensely enhances our enjoyment of the plays: it gives them a new dimension and a richness that has yet to be explored; it is a stimulating challenge to acting and production; and to the audience it reveals a drama beyond the theatre, written, as Coleridge so finely said, for the stage of the universal mind.’

Author Details:
John Vyvyan, born in 1908 in Sussex, was educated mainly in Switzerland. His first profession was archaeology, and he worked with Sir Flinders Petrie in the Middle East. Illness, which dogged him all his life, ended this kind of arduous field work, and he retired from archaeology to become a Shakespearean scholar and to write. In recognition of his contribution to Shakespearean scholarship in his trilogy, The Shakespearean Ethic (1959), Shakespeare and the Rose of Love (1960) and Shakespeare and Platonic Beauty (1961), he was offered, but unable to take up, a visiting lectureship at the State University of New York. He died in Exmouth in 1975.

Keywords: Literary criticism, Plato

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